My personal theology, as all theologies, has been shaped by contexts, experiences, and relationships which make up my very identity. As these are all constantly in flux, so is my theology. It is not a static, fixed, dogmatic system. Nor is it finished nor ever intended to be. It is also not misty, idealistic, and ethereal, but pragmatic, grounded in practice and experience, and adaptable.
Metaphorically, I see my theology like a painting. It starts and is shaped by my own interesting, interpretation, gifts and limitations (experience), it is based in a particular practice or style of painting (tradition), seeks to convey meaning to others (community) of a greater truth (transcendence).
To focus the picture a little more
and describe the traditions I come out of, the Roman Catholic tradition could be viewed as the
classical style art,
conservative liberal Protestant tradition would be more impressionist, and what I view my style (and the style of the many theologians I’ve read these past years at seminary) as more surrealist. It has elements of all traditions but put together in a new way. This style (and thus the artists using this style) is more interested in imagination, beauty, and mystery; focusing more on questions than answers.
In this paper I hope to explain the four highlighted areas of my artful theology. It won’t be in a linear fashion, but
enmeshed integrated as each plays into the other, but I will try to separate them as best I am able. I will first speak of the experience, particularly the human experience.